Category: Da Vinci’s Demons

Da Vinci’s Demons: The Hierophant



“Da Vinci’s Demons” returns after a week-long hiatus, and what a big week it is. I’m thrilled to say that my original score has been released digitally by Sparks & Shadows!  This marks the first time in my career that a television album has been released while the episodes are still airing. This has always been one of my dreams and I’m very excited that everyone at S&S pulled it off.

The “Da Vinci’s Demons” album contains over 90 minutes of music, across 26 tracks.  It is available digitally from iTunes, Amazon and other digital retailers. We’re working on a physical CD set for later this year. Interestingly, this is the first television album I’ve ever released where the cues are presented in chronological order.  I normally put the cues in an aesthetically pleasing order.  However, the development of the themes on this series is so crucial that no other order would have made sense.


Tonight’s episode, “The Hierophant,” is well-represented on the album, and for good reason.  (more…)

Da Vinci’s Demons: The Devil



My recent video blogs have detailed how I dove headfirst into the sounds of Renaissance and used period-appropriate instruments and performance practices to evoke the era.  Going one step further, I actually used compositions from the time period in my score. (If Lorenzo de Medici were to travel through time and watch this series, he would recognize his own theme as the one composed by his court composer!) In tonight’s video blog, I sit down with series music historian Adam Knight Gilbert and discuss two themes in particular that were drawn straight from the pages of music history:

MAJOR SPOILERS AHEAD: “The Devil” introduces a new character to the series: Vlad III, a.k.a. Dracula, the true historical inspiration for Bram Stoker’s Dracula.


Da Vinci’s Demons: The Tower


During the past four video blogs, I’ve detailed the main themes of my “Da Vinci’s Demons” score and introduced several essential instruments, including the Calder Quartet, choirs, and percussion. At last, my new video blog highlights the soloists and their instruments that give my score its distinctly Renaissance flavor:

SPOILERS AHEAD: The first few episodes of “Da Vinci’s Demons” were all about setting up character conflicts and musical themes.  Now, we’ve reached the point where story threads cross, characters develop and new conflicts arise. In response, I was required to develop the score and push the now firmly-established themes into newer variations to keep pace with the story. (more…)

Da Vinci’s Demons: The Magician

Tonight’s episode of “Da Vinci’s Demons” introduces a new theme, for the titular magician, Cosimo de Medici.  His theme features a variety of new percussion sounds, expanding on the percussion I’ve used thus far for The Turk.  Tonight’s video blog details how percussionist M.B. Gordy and I discovered the right instruments to use for this series:

After “The Magician,” we are halfway through the first season. By this point, character arcs and conflicts are firmly established, and similarly, all the principal musical themes are clearly defined.  “The Magician” is musically remarkable not for introducing new material, but instead for the way in which the themes expand and develop, along with the twisted narrative.



Da Vinci’s Demons: The Prisoner

dd103top3The third episode of “Da Vinci’s Demons,” called “The Prisoner,” allows the series to explore the Gothic horror genre. The spooky imagery of a damned convent is accompanied by ethereal female vocals that take center stage in the score.  Tonight’s video blog introduces a few of the vocal ensembles you will be hearing during the first season:

MAJOR SPOILERS BEYOND: “The Prisoner” begins with an introduction to the titular character: a mysterious old man with a long grey beard who’s clearly being held prisoner in Rome and whose face we will not see.  Riario enters the dungeon and engages him in the ancient Chinese game of Go, that will be a framing device for the entire episode.  I wrote a theme for this character, called The Prisoner Theme: (more…)