Category: Blog



How might one score a film primarily using floppy disc drives and an electric violin? This was the question at the core of my experience scoring Revolt, a new science fiction film starring Lee Pace.

In the film, Pace plays Bo, a soldier who awakens in an African jail cell, suffering from long-term memory loss, only to discover that humanity is in the final stages of a violent alien invasion. He teams up with a doctor named Nadia, and together they trek across the post-apocalyptic African wilderness, avoiding the robotic unmanned ‘drones,’ machines intent on killing or rounding up the last surviving members of the human species. (more…)

Happy Death Day


What would happen if you were stalked and killed on your birthday, only to awaken back in the morning on that same day, seemingly doomed to live it all over again? This Groundhog-Day-meets-Scream concept is at the heart of the new light-hearted horror comedy from Universal and Blumhouse Productions: Happy Death Day. I was thrilled to collaborate with director Christopher Landon, and to score this film that has become a surprise October hit.


After I read the enticing script, I met with Chris and editor Greg Plotkin at the Blumhouse offices last spring. I was immediately struck by their delightful and friendly personalities, and knew these were guys I wanted to spend some time with. They showed me the film, and we fell into an enthusiastic conversation about the near-infinite musical possibilities presented by a time-loop-horror-comedy set at a college. I was brought on board the film right away, and my mind raced. (more…)

The Walking Dead Score Album


Tonight, the Season Eight premiere of The Walking Dead airs on AMC, marking my 100th score for the series’ 100th episode. This season promises “all out war,” as Rick and his armies battle to free themselves from the iron-fisted rule of Negan and his Saviors. These upcoming episodes will live up to this promise, and more, as they deliver all the intense action, drama and revelations that fans have come to expect from this juggernaut worldwide hit series.


This weekend also marks an important personal milestone: the long-awaited release of my original score soundtrack album, thanks to a joint partnership from Lakeshore Records and Sparks & Shadows. The album is available digitally, on CD, and also on vinyl, with a limited run of signed CDs available from La-La Land Records (UPDATE: by the time I finished this blog entry, the signed copies sold out!). And for those of you in Los Angeles, I will be appearing at a signing at Dark Delicacies in Burbank on Saturday, October 28th. If you’ve been waiting for this album to come out for a while, there are, at last, plenty of ways to get your hands on it! (more…)

Outlander: Season 3 – After Culloden


I don’t believe I’ve tackled a season of television as richly rewarding as Outlander’s Season Three. Separated by centuries in Season Two’s heart-wrenching finale, Jamie and Claire spend the first five episodes isolated in their own timelines, a narrative journey that spans two decades. This season allowed me to further develop familiar themes, and introduce new melodies, instrumentation, and nuance to the score.

A new season of Outlander would not be complete without a distinct variation of “The Skye Boat Song” for its main title. I introduced the tune in Season One, combining Scottish folk instrumentation, orchestra and the voice of Raya Yarbrough. At the start of Season Two, I rearranged it for baroque instrumentation, while Raya performed certain passages in French. That was followed up by a patriotic rendition, emphasizing Scottish snare drums and bagpipes, underscoring the build up to the Battle of Culloden. (more…)



Unrest marks my first score for a documentary feature. Scoring this film for Jennifer Brea was a completely new experience, and expanded my perspective on the vital relationship between composer and filmmaker.

A young Harvard PhD student with her whole life before her, Jennifer Brea, was suddenly struck with a fever that left her bedridden. Medical tests proved unsatisfying and inadequate. When doctors finally told her it was “all in her head,” Jennifer began documenting her experience with myalgic encephalomyelitis (M.E.). This affliction, misleadingly called “chronic fatigue syndrome,” affects millions of people around the world, disproportionally women, and yet research pertaining to it is tragically underfunded. Unrest expanded beyond Jennifer’s own experience to include stories like hers from around the globe. It heralds the growing movement to have this condition recognized and properly funded and studied. Unrest debuted at Sundance, where it won a Special Jury Prize for editing. (more…)