A few weeks ago, I was honored with an invitation to speak at Google, as part of their @Google Series. The entire presentation is now available in HD on YouTube, or you can see it right here:
For the presentation, Raya Yarbrough interviewed me about my early musical life, career, creative process, influences and turn ons… well, musical turn ons anyway.
Like most music education seminars, we had a grand piano and full-size Cylon Centurian on stage with us! (more…)
Lame. Today I finally got my BSG Complete Series BluRay Box Set from Amazon (yes, I had to buy my own, which is surprisingly not the “lame” part). To ship it to me, Amazon basically threw it in a cardboard box without additional packing material. And since the box set packaging itself is essentially another cardboard box, it was all smashed up by the time it got here…
… resulting in a hilariously ironic memento of my years working on this series. I was going to bitch to Amazon and make them send me a new one, but the more I look at this pathetically lopsided cube-turned-trapezoid that I paid over $200.00 for, the more it makes me laugh. 🙂
Ok, complaints about packaging aside, there are actually a lot things about this release I’m genuinely excited about. I’ve seen a handful of episodes in high-definition, at various screenings and press events, and the picture quality was always amazing. The VFX in particular are incredibly detailed. So, I’m looking forward to watching the whole series again from the beginning in high def, especially because I’ve never watched an episode again after its original air date with only a few exceptions.
Wow. So much going on at Comic Con here. The first day was INTENSE! Richard Hatch’s panel was amazing and I think the first live concert we played was easily the best show the Orchestra has put on yet. Eddie Olmos was an amazing MC, and the surprise visits from Richard Hatch, Luciana Carro and Michael Hogan brought the house down… not to mention the surprise duet with me and Katee Sackhoff playing All Along the Watchtower on piano.
I’ll eventually write an entry about the shows, and put up some photos and media clips. But, in the meantime, check out our official Twitter (@bsglive) and the blog that we’re running on the official band website (bsgorcestra.com). Percussionist Jonathan Ortega is writing it up and he has great insight, cool photos, and a wicked sense of humor!
The only thing that bummed me out tonight: I saw some General Admission audience members being turned away from the signing after the show and it just made me crazy (I always wanted to do a big signing for everybody in the first place). Starting tomorrow, I’m going to make damn sure that EVERYONE at the concerts can come to the signing afterwards. I want a chance to meet all of you! Consider this an official announcement!
Besides, we’re selling the Season 4 CDs and every other record I’ve done as well as limited edition posters, including this killer design by Andrew Craig. You can all pick them up and get them signed by the entire orchestra!
Hey guys… My inbox is suddenly flooding with emails because of a rumor on Twitter that I didn’t submit a “Battlestar” Score for Emmy consideration.
Let me put this false rumor to rest right now: Yes, SyFy submitted my work for consideration for an Emmy nomination for outstanding score for a television series, as they have every single year I’ve worked on the show.
The Music Branch of the Academy selects the nominees and my “Battlestar” score isn’t on the short list. But these things happen. There are many outstanding composers working in the medium, and one certainly can’t complain about the scores that did get nominated. They are all by outstanding, established composers.