Outlander Season Four chronicles a dramatic journey: from the bustling streets of colonial era Wilmington, across vast stretches of Appalachian wilderness, to Cherokee and Mohawk lands. This journey leaps from the modernity of the 1960’s to the simmering pre-Revolutionary tension of eighteenth-century America. These settings present a challenge for a composer, because each era, culture, and geographical location offers potential musical influences for the score. My goal was to assimilate all these ideas into a score that helps the audience follow the various narrative threads and still supports the drama. Oh, and I wanted to use banjos now too!
BAGPIPES AND BANJOS
My work began as I set out to rearrange a new version of “The Skye Boat Song” for the season’s Main Title. Changing a series’ Main Title is relatively rare in television, and yet this marks the sixth, arguably seventh, iteration of the beloved folk song I have produced for Outlander. (The previous were Season 1’s original, Season 2’s “French” and “Jacobite” versions, and Season 3’s “After Culloden” and “Caribbean” versions. I also produced an “Extended” version for the Season 1 Volume 2 soundtrack album, though it was never used in the series itself.)(more…)